Playing bagpipes
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From Syl Arena’s Lessons I Didn’t Learn In Photo School…
17. Learn to think of the viewfinder as optional.
If you don’t regularly make photographs without looking through the viewfinder, start today. Learn how your lens sees without looking. Become more spontaneous. Hold your camera up over your head - like a paparazzi. Shoot from the hip (literally). Go for the worm’s-eye view. Stop chimping the LCD after each shot. Try this. Cover the viewfinder and LCD with tape — except where the histogram shows (so you can make good exposure decisions). Then shoot for a day or a week without ever looking through the lens. I’m sure you will come up with many great images that show you the world in a way you haven’t seen before.
So there’s your challenge. Take a bunch of photos without using any kind of viewfinder or checking the images on the rear screen afterwards. Post your best one of the week!
Well this was fun! Although shooting without looking through the viewfinder did mean a lot of shots of things at some very odd angles and not getting in the image what I thought I was getting! I decided to get down to ground level and this is my favourite of the ones I took this week.This week, your task is to capture the weather. It doesn’t matter if it’s sunny or raining, or snowing for that matter. Try not to just take a picture of the sky… look for some other subjects to go in the frame to support your choice of conditions.
With the bank holiday weekend coming up, there should be lots of opportunity for storms, rain, hail, sleet…
We had some great weather for this challenge in the days leading to Stu announcing it, since then it's been nothing but sunshine. Which has been lovely, but not brilliant for getting any dramatic weather shots. So with a little artistic licence, this is my weather shot.....Fast shutter speeds are the order of the day. Capture that split second in time. Once it’s gone, it’s gone for ever.
This week, your challenge, should you choose to accept it, is to capture a frozen image of a moment in time. An image that will never be seen exactly the same again. That point at the peak of the action.
OK, not my best ever effort for a number of reasons but mainly because the first idea I had didn't come off and I ran out of time. So I was back to using what I had around me. Oh. That'll be a Lurcher again then!
Your task this week is to take a photo of a complete stranger. With their knowledge and consent. That’s someone you have never spoken to before. Since all photos should have intent, let us know why you chose to photograph that particular person.
I really thought I could do this without too much issue. I don't usually have a problem photographing people - in fact, taking candid shots is something I love doing - but, the more I thought about it, the more nervous I became about actually approaching a complete stranger.
And then a perfect opportunity presented itself. The Lurchers and The Greyhound were at the back gate barking like crazy. I went outside to see what all the fuss was about to see a chap standing at my gate talking to them.....and he had a greyhound with him! So I plucked up the courage to ask him if he would mind if I took his photograph. I explained what it was for and it turns out that not only did we have greyhounds in common, but he used to teach photography. Fate or what!?
So, the intent? Well, apart from it being an opportunity that presented itself, he had such an interesting face.
And just in case it isn't obvious that I had his consent.....
You thought this week would be easy?
Food photography is difficult. Really difficult.
We don’t want a picture of your lunch. We want a picture that makes us want to eat your lunch. A picture that would appear in a menu. A picture that appeals.
If the viewers’ stomachs don’t rumble while perusing the results, we haven’t done our job properly.
Take care to arrange the food nicely, make it look fresh, make it look hot (if applicable). Make it look appetising. Like one of those burger shops where you absolutely know your burger isn’t going to look that nice. Watch out for the background, if it supports the image, emphasise it; if it doesn’t support the image, why is it there?
I’m tempted to put fruit/individual items on a hit list, but I’m not sure I like hit lists. So try to go for a complete meal, but if not, make your fruit look really juicy.
Stu wasn't wrong. Photographing food is not as eay as it might at first sound. That said, I have two images and I'm not sure which one to put forward. Whichever one you all prefer by Sunday evening is the one I'll put forward!
**UPDATE: EGGS IT IS!
First one is "Egg on toast"! I do quite like this one as I think it does make you want to reach for a toasted soldier and dip it in the yolk! Well, it does me anyway!
The second is "Pudding and custard"
Any thoughts!?
"Children come up to me in the street every day and say 'What's that?' I wouldn't say they're frightened but certainly they're inquisitive.
"I would always take the time to explain to a child. All they want is an explanation. They want to know 'What's that?' and 'What's happened?' and 'Why are you different?' And then they will move on."
She hopes that her presence can show young children what they can achieve on merit.
I am not a parent so maybe I'm talking out of my hat here but surely parents should be encouraging their children to accept people who they might see as "different". Surely this is an ideal opportunity for parents to explain to children that some people do have physical disabilities but that this doesn't make them any less a person. If, as a nation, we want to stop prejudice of any description, then I would have thought that the younger the child, the more chance there is of moulding their thoughts against such prejudices.
Parents who can't face explaining this to their children must surely run the risk of passing on their own prejudices and fears of anyone who is "different".
As I said, I am not a parent but I'd be interested to know the views of those of you that are.
There should be sufficient clues in the frame that the viewer will have at least some idea about the subject, even if they don’t know its exact nature. Use shadows, gestures, lingering artefacts… whatever you can to give away as much as you can about your subject without showing it.
Allocate a time this week to the challenge. It can be a day, it can be ten minutes, as you wish.
During the allocated time, you are allowed to take exactly one photo. No more. No “take a few and see which is best”. No “let’s try that from another angle”. Do everything in your power to get a good photo before you press the shutter. This is a great exercise in spotting problems in the background, dodgy camera settings, and so on. To make it even harder on yourself, try shooting a dynamic subject - changing light, or moving objects. Wait for the right moment and go for it.
Well, I didn't manage to get anything "dynamic" but this was a difficult light situation as it was early in the morning and I was shooting almost directly into the sun. The only post-processing this has had is cropping and a little sharpening.